-作者简介- 雅克•德里达（Jacques Derrida，1930—2004），20世纪下半叶最重要的法国哲学家之一，他开创了解构的思想方法，成为后结构主义的主要代表，其理论动摇了传统人文科学的基础，也是各种后现代思潮最重要的理论起点之一。他所涉及的研究领域包括哲学本体论、语言学、文学批评、美学、伦理学、政治学，其主要代表作有《论文字学》《声音与现象》《书写与差异》《绘画中的真理》《哲学的边缘》等。 -译者简介- 魏柯玲，法国文学博士，曾任教于中国人民大学外国语学院。译有《德里达传》《马塞尔•普鲁斯特》《阅读的时日》《时间，这伟大的雕刻家》等。

-作者简介- 雅克•德里达（Jacques Derrida，1930—2004），20世纪下半叶最重要的法国哲学家之一，他开创了解构的思想方法，成为后结构主义的主要代表，其理论动摇了传统人文科学的基础，也是各种后现代思潮最重要的理论起点之一。他所涉及的研究领域包括哲学本体论、语言学、文学批评、美学、伦理学、政治学，其主要代表作有《论文字学》《声音与现象》《书写与差异》《绘画中的真理》《哲学的边缘》等。 -译者简介- 魏柯玲，法国文学博士，曾任教于中国人民大学外国语学院。译有《德里达传》《马塞尔•普鲁斯特》《阅读的时日》《时间，这伟大的雕刻家》等。

Discusses the dichotomy of artistic thought that led to the evolution of modern painting, as perceived by the new art's Salon des Refuses and the Paris art world of 1863

"In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes which have distorted our understanding of Chinese painting since the seventeenth century. M...(展开全部)

"In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes which have distorted our understanding of Chinese painting since the seventeenth century. M...(展开全部)

Discusses the dichotomy of artistic thought that led to the evolution of modern painting, as perceived by the new art's Salon des Refuses and the Paris art world of 1863

Currently unavailable for delivery to your region due to high demand. We are working to resume delivery as soon as possible. Pablo Picasso had already accepted a commission in 1937 to create a work for the Spanish Republican Pavilion at the Paris World Fair when news arrived of the assault by the German Condor Legion on the undefended Basque town of Guernica, in which hundreds ...(展开全部)

Placed at the heart of Italy, Florence was already in the Middle Ages a center of commerce and fine craftsmanship. Spurred on by a few powerful dynasties of merchants and financiers—above all the Medici, but also the Strozzi, the Pitti, and others—the city became the leading force in the Renaissance of the arts, literature, and science. Challenging the primacy of the Venetian R...(展开全部)